| 
These two murals represent an integration of knowledge from many
academic disciplines. African mythology and folklore has been fused
with mathematical concepts, scientific theories, literary extracts,
American history events, sociological pattern and religious beliefs.
View the murals from each level of the staircase and find these
abstract or symbolic images to uncover some of the many stories
the murals contain. As you ascend the stairs, you will notice that
both murals rise from the earth plane toward the heavenly/spatial
realm.
"Origins" - Mural on West
Wall
This mural addresses man's continuous quest to understand the forces
behind the beginning of life. Presented are legends about the great
mother goddesses, the Egyptian gods and goddesses, sacred animals,
the dualities in nature, and planetary forces.
- Can you discern that the mural is divided in two halves? One
side represents night with the moonlight, while the other side
represents day with sunlight. Which side is which? How can you
tell?
- Find the great water pot of life which both animal and plant
life flows. Look closely and you will see fish and turtles swimming
within the pot. The pot is sitting on an African ceremonial stool.
- Can you find the sacred elephant, the bearer of the life giving
waters?
- The story of Osiris, life and death, African god of fertility,
forms the foundation of this mural. Find his image near the bottom
of the mural. He is lying on his back, floating on the back of
a double-headed crocodile. Look hard. The artist used a layering
technique whereby images are painted on top of, underneath and
within other images. Hint: Osiris' eye is near the elephant. His
eye is also the eye of one of the crocodiles.
- Find Isis. African mother goddess of fertile water and associated
with the sun. She is the wife of Osiris, who, with the help of
her sister, Nephthys, the mother of the goddess of the dead and
associated with the moon, resurrected the murdered Osiris. Hint:
These women are opposite each other and relate to first bullet
(above).
- In the natural, there are opposites and pairs such as night
and day, life and death, man and woman.
- Find the male companions of Isis and Nephthys. Then find the
couple's children. The children symbolize the states of active
and passive. One child is awake and the other is asleep.
- Notice that the two men have rocket-shaped heads. Find the gun
beneath the foot of one man (symbolic of man's weapons and ability
to destroy the universe) and the fish and plant beneath the foot
of the other man (symbolic of man's ability to live in harmony
with nature, thus preserving the universe).
- Find "Jacob's Ladder" that each man is climbing.
- Many ancient cultures have stories about a great mother goddess
who brings forth life. Find the great mother goddess who has twins
on her knees and the new life (families) coming forth.
- Find the two celestial choirs (14 pots on a gourd barge, with
combs ascending from them). The 14 pots represent the 14 phases
of the moon when it waxes and the 14 phases of the moon when it
wanes. The combs are symbolic of the multi-cultural and ethnic
nature of humanity.
"Ascension" -
Mural on East Wall
This mural interprets the experiences, hopes, suffering and joy
of living in America. The messages within the mural are: 1) that
family members must support each other and maintain unity with the
older generation to successfully conquer life's barriers; 2) that
achievement comes from a supportive neighborhood and community;
and 3) that individuals must acquire depth and breadth of knowledge
about many subjects, so that knowledge becomes the foundation of
growth and the acquisition of greater self-worth, self-esteem and
clarity of one's place in the universe.
- Find the three railroad tracks which symbolize the barriers
in life. Hint: There is one at the bottom, middle and near the
top of the mural.
- In African American history, the railroad track was a barrier
that divided the "black" side of town from the "white"
side of town. The railroad was, however, the route to freedom.
During the "great migration" of blacks from the south
to the north during the 1920s and 30s, the railroad was the principal
mode of transportation. What was the name of the railroad that
took black from slavery to freedom?
- Find the family unit-mother, father, grandfather, grandmother,
boy and girl. How can you tell which adults are the grandparents?
Where is the child that symbolizes the future?
- Find the seven pots, which are symbolic of the seven fires
lit during the West African ceremony of the new harvest. These
pots remind us that the African slaves brought with them a rich
heritage of knowledge, customs, traditions and ceremonies. Many
have gone unrecognized or unaccredited, such as rice cultivation
and banjo making.
- Find the neighborhood, characterized by shotgun houses and
architectural design commonly used in the construction of housing
for African Americans.
- Within the neighborhood, find the women whose heads are touching
the roof of their houses. These women symbolize the mother's enduring
support of the family life. Also, find the men with the lantern.
These men are bringing forth the new seed.
- Find the city, where, within its institutions, many of life's
most difficult barriers exist.
- As an individual grows in knowledge and from life experiences
he/she is transformed intellectually and spiritually. Find the
transformed human spirits who have overcome the barriers of community
and city and now soar in a higher dimension. Hint: These are abstract
depictions involving anvils, washboards and combs.
- Find the cellular structure of nature, the biological cells
that make up all life. The images are also symbols of those invisible
forces (cosmic energy) that replenish the earth. Hint: Gray and
blue bubbles.
Related Reading
Diop, Cheikh Anta. (1986) Great African Thinkers. New
Brunswick: Transaction Books.
James, George G.M. (1988) Stolen Legacy. San Francisco:
Julian Richardson Association.
Sertima Ivan Van. (1984) Black Women in Antiquity.
New Brunswick: Transaction Publishers.
Sertima Ivan Van. (1989) Egypt Revisited. New Brunswick:
Transaction Publishers.
Masse, Gerals. (1988) Ancient Egypt the Light of the World.
New York: African Islamic Mission Publications.
See also:
Biggers Murals
- Introduction
Symbolism in "Origins"
& "Ascension"
© 1992 Winston-Salem Delta Fine Arts, Inc.
|